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DeadLists Project

Grateful DeadGrateful Dead Live at Copps Coliseum on 1990-03-22 (March 22, 1990)

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Collection: GratefulDead
Band/Artist: Grateful Dead
Date: March 22, 1990 (check for other copies)
Venue: Copps Coliseum
Location: Hamilton, ON

Source: SBD -> Cassette Master (TDK SA-X90)
Lineage: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
Transferred by: Charlie Miller
Keywords: Soundboard; Charlie Miller


Set 1

Feel Like A Stranger, West L.A. Fadeaway, Easy To Love You, Beat It On Down The Line, It Must Have Been The Roses, The Last Time, Picasso Moon, Don't Ease Me In

Set 2

Scarlet Begonias-> Fire On The Mountain, Samson & Delilah, Believe It Or Not, Truckin'-> Jam-> Drums-> Jam-> The Other One-> Hey Jude*-> Dear Mr. Fantasy-> Hey Jude Reprise-> Sugar Magnolia, E: It's All Over Now Baby Blue

*The whole song sung by Brent


-- Disc change is seamless

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Streamed 7,299 times
Average Rating: 4.60 out of 5 stars4.60 out of 5 stars4.60 out of 5 stars4.60 out of 5 stars4.60 out of 5 stars

Reviewer: doug_the_dude - 3.00 out of 5 stars3.00 out of 5 stars3.00 out of 5 stars - March 21, 2013
Subject: --
Can't share the same 5-star excitement as *so* many do here on the archives, but that's OK, there are enough enthusiasts for this show so I'll be a slight voice of dissent, while still giving it a solid recommendation...

Set 1 is where the majority of the trouble lies, and this one is tricky territory. Skipping over the obviousness of Easy to Love You, let me say that it's all mostly played well enough, but just doesn't *go* anywhere - the boys, after a great first set, usually have *earned* that Don't Ease Me In as a set-break alert. But when you're going to go with Picasso Moon following the four or five tunes they've selected here to precede it, you'd better bring your A-game, and they simply didn't have this tune figured out at this stage. And I really like Picasso Moon! I know there are lots of heads here who simply can't deal with that song, but I "get" what Bobby was going for - just check the 9/18 MSG performance later this same year with Bruce and Vince - now THAT'S amazin'-blazin'-mystifyin'! This thing really plods along - listen to Mickey *try* and pump some life, hilariously, into the "jam" - it's done for and the band knows it. So they throw in the towel and setbreak. This is why context is always very important with the Dead - one listen to, say, West L.A. and you may think, "damn, this has got to be a smokin' set!" But they've had far more coherence on the Spring '90 tour than they exhibit here - just check set 1 of the following night @ the Knick!

Set 2 - ah yes, now here's why the 5-star accolades pour in, and I'll chime in on that *heavy*-midi doused Scarlet > Fire - Jerry takes us through so many different sound collages and solos it's really a piece to listen to many, many times and pick apart section by section, while at the same time seeing the 'forest'...it really is a beauty.

And Believe it or Not is another one of those puzzlingly maligned tunes that I think deserves a fair day in court - it's harmless at worst, and at best a lovely ballad - he really sings it with enthusiasm here. Anyways, it's as *least* as good as Ship of Fools!

The jam that follows Truckin' is absolutely bizarre - just listen to Phil laying down all kinds of mathematic-guru lines and the boys dancing all around it - this energy continues through the Other One, which does have a pretty awesome peak - that whole section of music, including D>S, is around a half-hour and is absolutely as valuable as the opening S>F...

...but Brent sure blows Hey Jude. There is some talk as to how much of a train wreck, if at all, it is, but I can't really give it even a good effort seal - it's clear they should have stuck to the refrain, or leave it alone completely - this song really was a tough one for them to play live with all verses in tact (check Pigpen & co's endearingly sloppy attempt at it on 3/1/69).

So a mixed bag, IMHO. The good is very, very good, you definitely don't want to miss the fireworks of the second set. But to rate this a full five in the midst of so many other overall cohesive sets from this tour is something I'll leave for those that champion the show irrespective of overall cohesion, blah blah blah. Cheers -

Reviewer: barreramusic - 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars - September 10, 2012
Subject: Scarlet/Fire
The entire show is great--emphasis on Scarlet/Fire--Definitely one of the greatest of all time in my book.

On another note regarding the Hey Jude/Dr Mr Fantasy/HJ reprise segment--note that there is another SB copy that has it without the track changes.

Reviewer: St. of Circumstance - 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars - May 5, 2012
Subject: Matrix madness
I got all of this entire run on Matix, which are great (thanks to all who have worked so hard on making them), but came back for the boards- all of the Spring/Summmer '90 shows deserve a listen, and the best of them you must have the board too. I think that with Healy's Ultramixes, Matrix mixes should be more toward the 80/20 range, not 60/40. Anyway, love them all, and agan, thanks to everyone who uploads positive energy. Love to Charlie, Hansoko and to Stanford U.

Reviewer: bear06460 - 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars - May 6, 2011
Subject: great show
the whole show is really good but this has gotta be one of the hottest scarlet/fires ever. the jam before fire is intense. they were feelin it on this night. been looking for a clean board of this for a long time. thanks

Reviewer: cb18201 - 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars - March 22, 2011
Subject: .
21 years ago today.

Been waitin' for a clean copy of this one for a while. Much thanks to Mr. Miller. This whole show is great but the Scarlet/Fire is the center piece of this show. One of my top 5 favorite versions. They really tore it up for you Canadians